天使 エンジェル

尽心辅佐武藤泰山（远藤宪一饰）登上政坛顶点的首席秘书贝原茂平（高桥一生饰），当年也有一段刻骨铭心的经历。五年前，内阁总理大臣突然辞职，以国土交通大臣乡田刚（升毅饰）为代表的数名政客围绕首相宝座展开激烈竞争。贝原时任乡田的秘书，他的父亲曾经也效力乡田麾下，甚至不惜替主人背上罪名死去。在竞选过程中，乡田团队加入了一名美女雪野诗音（相武纱季饰），对方居然正是贝原学生时代曾深深喜欢的学姐。随着竞选的白热化，针对乡田的攻击日趋激烈，雪野展现出迥异于过去的一面，而乡田也变得越来越让贝原感到陌生和心寒。在人生和政途的岔路口，贝原茂平完成了和武藤泰山的邂逅……

抗战前夕的1933年，国立博物馆馆长石兆光（赵有亮 饰）为护镇馆之宝不幸落入日酋魔窟，在狱中他受尽非人折磨，求死不能求生不得，精神受到极大创伤。就在万念俱焚之际，他得到一本拯救其灵魂的围棋奇书，从此后他将世间万物抛于脑后，痴心钻研这变化莫测的黑白世界。抗战全面爆发前夜，已经出狱的石兆光携子石头（邹辰良 饰）乘船去上海，途中遇到东瀛棋手竹内秀夫（沈晓海 饰），狂妄的竹内自称下遍中国无敌手，根本不把中国人放在眼里。在船上自娱自乐的中国游客经石兆光稍加点拔，棋艺有如神助，与其对弈的竹内步步后退，自知遇上高手。正在这时，传来卢沟桥事变的消息，船上的日本人内心充满了杀机......

明中叶，东西两厂明争暗斗不断。东厂曹公公手下养了三大高手，分别是孟星魂（梁朝伟饰）、高老大（杨紫琼饰）、叶翔（甄子丹饰）三大高手，亦有小王爷（林志颖饰）帮忙。高老大经营快活林，孟星魂与叶翔皆是其从小养大的结拜弟弟，三人亲如手足。叶翔暗恋大姐，大姐却对孟星魂情有独钟。孟星魂与八卦门掌门之女小蝶（王祖贤饰）是爱侣，小蝶亦已怀有孟之骨肉。四人面对纠缠的感情痛苦不已，而此时孟星魂亦与高大姐接下刺杀孙玉函（徐锦江饰），将西厂李公公控制下的聚贤山庄一网打尽的任务。到底任务能否完成？而四人的感情又将何去何从？©豆瓣

满州里动物园有一头大象，每天坐在那里。为朋友出头的少年、为弟报仇的恶霸哥哥、身陷囹圄的女生，卡在世界灰暗的缝隙里无法脱身，却挣扎着去看大象。萧瑟寒冬的一天，绝望身影在不对称不平衡的影像中碰撞，爆裂了压抑的沉郁，在粗糙布景、朦胧灯光的低成本制作中肆意蔓延。作者兼导演胡波（笔名胡迁）首作，以青涩朴质与震撼感性，获柏林影展赏识入围论坛单元，却是无法嵌合和谐主旋律的一块失落拼图。看不见大象是共同宿命，胡波骤然陨落，也成了这一代人的遗憾。

故事发生在一座小小的渔村之中，在时间的洪流里，这座小渔村渐渐失去了往日的辉煌，人口老龄化、旅游业衰败等各种各样的问题接踵而至。著名的指挥家吉川生活在这里，他手下的一支交响乐团成为了村民们心灵的唯一慰藉，然而，年迈的吉川终于还是撒手人寰，而等待着他的交响乐园的，只有解散的命运，这也就意味着，在这个闭塞的小村落里，人人热爱的交响乐即将成为绝响。就在这个节骨眼上，吉川的孙女美咲（有村架纯饰）出现在了村民们的面前，曾经，美咲凭借着优秀的音乐天赋活跃在业内，但如今的她却坚称自己对指挥一窍不通。绿（释由美子饰）是交响乐团的团员之一，她将美咲视为最后的救命稻草。

故事发生在圣夜学院中，亚梦（伊藤加奈惠配音）是校园里有名的“刺头”，因为她不仅外表凶狠凌厉，有时说话还十分毒舌。然而，这却并非真实的亚梦。亚梦其实十分胆小害羞，她不过是用强硬的外在作为伪装，将其变成能够自我保护的堡垒罢了。终于有一天，亚梦再也无法忍受生活中旁人对她的诸多误会和误解了，她决定改变，亚梦向“守护灵”祈愿，希望自己的愿望能够成真。让亚梦没有想到的是，第二天，她的床上竟然多了三只守护蛋，守护蛋里装着的，是三名可爱善良的“守护甜心”——小兰（阿澄佳奈配音）、美琪（加藤奈奈绘配音）和小丝（丰崎爱生）。在他们的帮助下，亚梦能否重塑自己的形象呢？

生活总有起起落落，每个人遇到各种各样的状况，都需要一些持续向上的力量。

Setintheworldofelitetennis,thedramaportraysJustinePearceasaone-timerisingstarwhosesuddensuccessat17tookherandhercoachGlennLapthorntothequarterfinalsoftheFrenchOpen.

当魅力四射的高智商美女Freddy与脆弱且富有同情心的前儿童兵Baba相遇，欲望点燃了彼此心中的黑暗，将他们变成了一对危险的杀手搭档。与此同时，对犯罪心理的罪责观念有着巨大分歧的DS Lola Fra...

Paris, 1315. The Tour de Nesle, a guard tower on the banks of the Seine, has become a symbol of mystery and fear. Each morning, at its base, the bodies of handsome young aristocrats are found floating in the river, all butchered by sword or arrow. One evening, two noblemen, Buridan and Philippe d'Aulnay, find themselves in the infamous tower, lured there on the expectation of a night of unbridled passion. Little do they realise that they are to be the next victims of a woman who is determined to take revenge against all men - Margaret of Burgundy, the present Queen of France. Although Philippe is killed, Buridan escapes, and intends to blackmail the Queen. Unless she makes him her prime minister, he will expose her crimes to Philippe's brother and her husband, King Louis X. When she moves to eliminate Burdan, Margaret makes a terrible discovery...　　In the twilight years of his long and pretty uneven career, the great avant-garde film director Abel Gance made a number of films which, whilst not as grand and artistically inspired as his early silent masterpieces (La Roue (1923), Napoléon (1927)), still compared very favourably with the work of his contemporaries.　　Of these, La Tour de Nesle is a film that still stands up remarkably well today - an ambitious historical drama based on the famous 1832 play by Alexandre Dumas. It makes a nice companion piece to Gance's subsequent historical romp, Cyrano et d'Artagnan (1964).　　　　Needless to say, the film isn't to be commended on its historical accuracy. As any historian will tell you, the Alexandre Dumas version of French history is wildly fanciful, to say the least. However, this doesn't prevent La Tour de Nesle from being an entertaining and, at times, highly poignant, piece of cinema.　　Whilst the characterisation and dialogue leave much to be desired, the plot (a murky tale of cruel revenge and political intrigue) is gripping, and the film's artistic design is exceptional for a film of this period. Gance brings a strangely expressionistic touch to his use of colour and shade, something which adds to the darkly sinister nature of the plot, whilst imbuing the film with a striking sense of historical realism. A propos, Gance's assistant director Nelly Kaplan makes her screen début in a small role, shortly before she herself embarked on a successful film making career.

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