禁入鬼门关

Thepicissetintheaftermathofanapocalypticeventthatforcespeopleintoextremeisolation.Afather(Moyer)andson(VanAcker),whohavebeenlivingoffgridfor20years,encounteranoutsider(Silverstone)whothreatenstodestroytheutopiathey’vebuilt.

　　Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.                                                                    　　The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.                                                                    　　If you miss it you will have to repent!

小杉健治同名小说改编，故事讲述一名14岁中学生因为家庭暴力而拒绝上学，之后他被13岁的同学杀死，因为对方受少年法所保护而无法被问罪。作为受害者父亲的志方恭一郎（远藤宪一）本身是电脑公司的计划开发部部长，在悲剧发生的晚上去了奇怪的店去玩，妻女发现后痛恨着他。 及后加上被警察怀疑，恭一郎向加害者的少年怒气大爆发，让他受到世人批判，失去工作及家庭。此时唯一支持着他是为儿子复仇，于是把目标锁定为加害者的单亲妈妈，为了知道受法律保护的少年行纵，他伪装自己接近他的母亲八卷はつみ，然而背着十字架的他，在发现对方有同样的痛苦后，彼此寻求解放互相慰借……

大型消防教育节目，聚焦平凡英雄、走入人间烟火，打开消防员们的世界去看不一样的热血青春。

威尔（大卫·瓦尔顿 David Walton 饰）一直过着自由自在随心所欲的生活，某日，一位名为菲奥娜（明妮·德里弗 Minnie Driver 饰）的单身母亲带着十一岁大的儿子马库斯（本杰明·斯托克汉姆 Benjamin Stockham 饰）成为了威尔的邻居。 　　母子两人的到来让威尔觉得非常不爽，因为马库斯不仅人小鬼大，还会毫无预警的闯入自己家，登堂入室恍若主人，更糟糕的是，碍于面子，威尔又不好发作，但让他和一个十一岁的男孩做朋友？这简直无法想象！威尔自己还是个“孩子”呢。随着时间的推移，威尔和马库斯之间的关系越来越近，渐渐的，威尔发现，马库斯给自己带来的，并不仅仅只有麻烦而已。

远离伊斯坦布尔的安纳托利亚，业已退休的戏剧演员艾登（Haluk Bilginer 饰）以专栏作家的身份展开了新的人生。他故作关心地日复一日撰写宗教类的文章，沉浸陶醉在自我所营造的看似深刻的思考世界里无法自拔。艾登用退休金经营一家旅馆，名下还有多处正在出租的房产，在与普通民众的接触过程中让他看起来多了一份虚伪和冰冷。妹妹尼卡（Demet Akbag 饰）早年离婚，经常蜷缩在艾登的书房内针对写作而争论，甚至彼此嘲讽攻讦。他的妻子尼哈尔（Melisa S?zen 饰）年轻独立，热衷各种公益事业。聚少离多且人生态度迥异的老夫少妻渐行渐远，感情出现裂痕…… 　　本片荣获2014年戛纳电影节金棕榈奖。

解放战争末期，北大荒某地。已转业的老战响应国家号召，来到黑龙江开荒建农场。一天，残存的国民党匪兵偷袭了附近村庄，老战闻讯，组织农场人员前去剿匪，帮百姓夺回了被抢走的粮食。

理论告诉我们权力越大,责任也越大;

132间房间，157名嫌疑人，1具尸体，1位极古怪侦探，1场灾难级国宴。该剧以美国白宫为背景，这座世上最著名的官邸内，形形色色的员工穿梭楼上、楼下和后楼梯之间，展开各种荒诞怪事。

神王之子秦书身为神子，却天生凡体凡命，受尽天道界众人部夷厌弃甚至要被夺去神子身份，贬入凡间。直到他与主角相遇融为一体，开启万界签到系统，于混沌天绝云峰开启永动丹田。随后从神道界最底层走起，与修罗战、与鬼神斗、与武帝争，靠一己之力，斩尽神佛，独闯九九八十一重天顶，满天诸神都不能挡其路，以一介凡体走上神道之巅。最后从众多神子的生死决斗之中脱颖而出，独战九大帝子，破混元天尊夺取神道界的惊天密谋，成就新一代大帝。

暂无简介

在白天，羽丘芽美（樱井智 配音）是就读于圣波利亚学院二年级的普通女生，可是一到夜晚，她就会变身成为行侠仗义的怪盗圣少女，在好友深森圣良（井上喜久子 配音）的帮助下展开劫富济贫的行动。芽美最大的对手